|
|
1 |
|
|
|
Custard Pie |
|
|
|
|
|
|
|
4:14 |
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
The Rover |
|
|
|
|
|
|
|
5:37 |
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
In My Time of Dying |
|
|
|
|
|
|
|
11:06 |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
Houses of the Holy |
|
|
|
|
|
|
|
4:02 |
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
Trampled Under Foot |
|
|
|
|
|
|
|
5:36 |
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
Kashmir |
|
|
|
|
|
|
|
8:28 |
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
In The Light |
|
|
|
|
|
|
|
8:50 |
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
Bron-Yr-Aur |
|
|
|
|
|
|
|
2:06 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
Down By The Seaside |
|
|
|
|
|
|
|
5:16 |
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
Ten Years Gone |
|
|
|
|
|
|
|
0:00 |
|
|
|
|
|
|
|
|
|
|
11 |
|
|
|
Night Flight |
|
|
|
|
|
|
|
3:38 |
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
The Wanton Song |
|
|
|
|
|
|
|
4:09 |
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
Boogie With Stu |
|
|
|
|
|
|
|
3:53 |
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
Black Country Woman |
|
|
|
|
|
|
|
4:32 |
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
Sick Again |
|
|
|
|
|
|
|
4:43 |
|
|
|
|
|
|
|
|
|
|
Автор обзора: Stephen Thomas Erlewine |
|
Led Zeppelin returned from a nearly two-year hiatus in 1975 with Physical Graffiti, a sprawling, ambitious double album. Zeppelin treat many of the songs on Physical Graffiti as forays into individual styles, only occasionally synthesizing sounds, notably on the tense, Eastern-influenced "Kashmir." With John Paul Jones' galloping keyboard, "Trampled Underfoot" ranks as their funkiest metallic grind, while "Houses of the Holy" is as effervescent as pre- Beatles pop and "Down by the Seaside" is the closest they've come to country. Even the heavier blues -- the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" -- are subtly shaded, even if they're thunderously loud. Most of these heavy rockers are isolated on the first album, with the second half of Physical Graffiti sounding a little like a scrap heap of experiments, jams, acoustic workouts, and neo-covers. This may not be as consistent as the first platter, but its quirks are entirely welcome, not just because
Далее...
|
|